CHAPTER I
PRELIMINARY
I.1 Introduction
Indonesia has
many diverse cultures in every region and spread across the archipelago. One of
them is Batak culture derived from northern Sumatera. Batak is a collective term used to
identify a number of ethnic groups predominantly found in North Sumatra, Indonesia. The term is used to include the Toba, Karo, Pakpak, Simalungun, Angkola and Mandailing, which are distinct but related groups with distinct,
albeit related, languages and customs (adat). Occasionally it is also used to
include the Alas
people of
Central/Southern Aceh, but usually only as relates to language groups.
In North Sumatra, Toba people typically assert their
identity as 'Batak', while other 'Bataks' may explicitly reject that label,
preferring instead to identify as specifically 'Simalungun', 'Karo', etc. The
Batak Toba are known throughout Indonesia as capable musicians, and are
perceived as confident, outspoken and willing to question authority, expressing
differences in order to resolve them through discussion. This outlook on life
is contrasted to Javanese people, Indonesia's largest ethnic group,
who are more culturally conciliatory and less willing to air differences
publicly.[1]
The Batak Toba
people, also called Toba people or often simply 'Batak', are the most
numerous of the Batak people of North Sumatra, Indonesia, and often considered the classical 'Batak',
most likely to willingly self-identify as Batak. The Batak Toba people speak in
the Toba Batak language and are centered around Lake Toba and Samosir Island within the lake. Batak Toba people frequently build in
traditional Batak architecture styles which are common on Samosir. Cultural
demonstrations, performances and festivities such as Sigale Gale are often held for tourists.
I.2 Formulation of the problem
The formulation of the problem which will be discuss in this
paper are:
1.
What
is a brief history of Batak Toba?
2.
How
about the culture of Batak Toba?
3.
How
about the Batak People?
4.
How
about the languages such as alphabet and verb of Batak Toba?
5.
How
much data was researched?
6.
How
many consonants are frequently use? what are they?
I.3 The purpose of writing
The purpose of this paper, are:
1.
To
know a brief history of Batak Toba
2.
To
know the culture and what kind the people of Batak Toba
3.
To
know about the language such as alphabet and verb, and its association with
phonology
CHAPTER II
The
Uniqueness of Batak Toba
A.
Brief History of Batak Toba
A.1 Batak kingdom
At the time of Batak kingdom centered in Bakara , the
Kingdom of Batak is the
dynastic rule Sisingamangaraja divide the
kingdom Batak in 4 (four)
regions called King Maropat , namely:
A.2 Dutch
colonization
In the colonial
period the
Netherlands , the Dutch government established residency Tapanuli in 1910 . residency Tapanuli divided into 4
(four) regions called the department and is now
known as counties or cities , namely:
- Mulberry department , which
is now the South Tapanuli , District Mandailing Natal , Padang Lawas regency , North Padang Lawas District , and the
City of Mulberry .
- Nias section , which
is now the Nias and South Nias .
- Cambodgien Sibolga and Ommnenlanden , who is
now a Middle Tapanuli and Sibolga .
- Bataklanden department , which
is now the North Tapanuli , Hasundutan Humbang District , Toba Samosir , Samosir regency , Dairi , and Pakpak Bharat .
A.3 Japanese
occupation
A.4 Early
independence
After
independence, the government of
the Republic of Indonesia was still
making Tapanuli into a
residency. Dr.. Ferdinand Lumban Tobing is Resident Tapanuli first.
There was
little change in the name. But divisions remain the same. Name Cambodgien Bataklanden example
converted into LUHAK Batak Land and luhak was first
raised Sihombing Cornelius who had served
as Demat Silindung .
Onderafdeling name was changed to fail and the village headman who led
onderafdeing appointed as Head of Undo . Onderdistrik became Small Undo led by the Head of Small Undo the first is a
Demat assistant.
Along with the
history, government at the Residency Tapanuli been divided
into four (4) districts , namely:
A.5 Early transfer
of sovereignty in 1950
When the
transfer of sovereignty at the beginning of 1950 , the Residency Tapanuli already
incorporated in North Sumatra Province is divided
into four (4) new districts, namely:
- North Tapanuli (formerly Tanah Batak )
- Central Tapanuli (formerly District Sibolga )
- South Tapanuli (formerly District Mulberry )
- Nias district
A.6 Now
On December 2008 , the Residency Tapanuli united in the province
of North
Sumatra . Toba is currently in the territory of the
District Toba
Samosir which had its capital in Balige .
Toba Samosir
regency was established by Law No. 12. 1998 on the establishment of the Regency
and Toba Samosir regency Mandailing Natal , in the
Provinces of North Sumatra Province. Toba Samosir regency is a division of
Level II Regional North
Tapanuli .
.
B. The
Batak Toba Culture
Toba Batak is a
cultural unity. Toba Batak are not necessarily stay Toba geographic region,
although the origin is Toba. As with other tribes, Batak tribes migrated
Tobapun-stricken areas more promising livelihood labih good. Example, the
majority of the population is indigenous clans Silindung Hutabarat, Panggabean,
Simorangkir, Hutagalung, Hutapea and Lumbantobing. Though all six genera are
derived Guru Mangaloksa which is one-a son of King Hasibuan Toba region.
Similarly Nasution clan who mostly live area is the brother clan
Padangsidimpuan Siahaan in Balige, of both genera are derived the same
ancestors. Toba Batak as a cultural unity can definitely spread to various
parts across the boundaries of their ancestral geographic origins, namely the
Raja Batak Toba region which is specifically Mulamula Sianjur village situated
on the slopes of Mount Pusuk Buhit, approximately 45 minutes drive from
Pangururan, the Capital District Naidoo, now.
The Elements of the Culture, are:
1.
Language
Batak Toba used Toba dialects
2.
Society system
self-help community in Batak Toba called ‘Marsiurupan’. It
means that a group of family works together to do something by turns.
3.
Technology
Batak people had known simple tools which are used to
process the soil such as hoe, plow, and sickle. Batak Toba has folk weapons too
namely, piso surit (broad-bladed knife), piso gaja dompak (long
and wavy double-bladed dagger), hujur (lance), and podang
(sword). Besides, there is traditional dress named ‘ulos’ which has many
function in Batak Toba traditional life
4.
Social organization
a. Marriage
In Batak Toba tradition, someone could marry to another
Batak Tobanese who has different clan. If they marry to other ethnics (such
Javanese, Sundanese, etc), she or he must adopt one of Bataknese’s clans.
b. Brotherhood
Social stratification of Batak Tobanese based on four
principals that are:
v difference age level,
v difference place,
v difference characteristic
authenticity,
v marital status.
5. Marga Batak Toba
Clan or family name
is part of the name is a sign of the family to which it belongs. People Batak always have
the name of the clan / family. Name
/ surname is derived from the father's lineage (patrilinear) which would then
be passed on to offspring continuously
6.
Mean of livelihood
Generally, Majorities of Batak Tobanese are farmer. They
work in wet rice field and in-irrigated agricultural field. The field comes
from distribution based on clan; and every family who gets the field cannot
sell it. Animal husbandry is one of Batak Tobanese mean of livelihood to;
for examples, the husbandry of buffalo, cow, pig, goat, chicken, and duck.
Batek Tobanese who lives in the edge of Lake Toba, raises fishes especially mujair
fish (freshwater fish widely stocked in inland waters and an important
food) and gold-fish. Besides, there are also handicraft industries such as tenun
(weaving affairs), anyaman rotan (cane work), ukiran kayu (carved
wood), and glazed porcelain.
7.
Art and Traditional Foods
There are many kind of arts in Batak Tobanese and it almost
same with another Bataknese. Some of them are folk dances such as Tari
Tor-tor (Tor-tor dance) which has the magic characteristic; Tari
Serampang dua belas (Serampang dua belas dance) has the entertain
characteristic. Traditional instruments: gong, hasapi (plicked stringed
instrument), gondang (like drum). One of the handicraft products is ulos.
Ulos is always used in every ceremony like wedding ceremony, new home
celebration ceremony, entering the new home ceremony, funeral ceremony,
giving legacy ceremony, and Tor-tor dance ceremony. Besides, there are the
Bataknese traditional foods such Batak Toba’s traditional foods that are: ‘naniura’
is made from gold-fish, vinegar, and traditional cooking spices, ‘napinadar’
is made from chicken, the chicken’s blood and traditional cooking spices.
8.
Batak Toba Houses
The Batak Toba house is one of the most distinctive
traditional buildings in Southeast Asia. No one knows when the creation of
these houses started, but the Batak Toba Houses have been around as long as
anyone can remember. These houses can be found around Lake Toba (hence its
name) in the North Sumatra province of Indonesia, and one of the six Batak
tribes construct and dwell in them.
Batak Toba Houses are built close to each other due to the
history of the fights between the tribes, and this feature gives them more
advantage to defend themselves. They are constructed on top of rows and columns
of pillars, a foundation that goes above the ground, in order to avoid damages
caused by floods. Its roofs are "boat-shaped" and tend to be very
tall and tilted, reaching down as far as the main living area.
C. The
Batak Toba People
The Batak Toba are known throughout Indonesia as capable
musicians, and are perceived as confident, outspoken and willing to question
authority, expressing differences in order to resolve them through discussion.
This outlook on life is contrasted to Javanese people, Indonesia's largest ethnic group, who are more culturally
conciliatory and less willing to air differences publicly.
The Batak Toba
people, also called Toba people or often simply 'Batak', are the most
numerous of the Batak people of North Sumatra, Indonesia, and often considered the classical 'Batak',
most likely to willingly self-identify as Batak. The Batak Toba people speak in
the Toba Batak language and are centered around Lake Toba and Samosir Island within the lake. Batak Toba people frequently build in
traditional Batak architecture styles which are common on Samosir. Cultural
demonstrations, performances and festivities such as Sigale Gale are often held for tourists.
D. Batak
Toba Language
Batak Toba /ˈtoʊbə ˈbætək/ is an Austronesian language spoken in North Sumatra province in Indonesia. It is part of a group of languages called "Batak".
There are approximately 2.000.000 Batak Toba speakers, living west and south of
Lake Toba. Historically it was written using Batak script, but the Latin script is now used for most writing.
The name of this language arises from a rich and complex history of ethnic identity
in colonial and post-colonial Indonesia. It is a generic name for the common language used by the
people of the districts of Toba, Uluan, Humbang, Habinsaran, Samosir, and
Silindung, centered upon the Island of Sumatra; more particularly, at Lake Toba. Linguistically and culturally these tribes of people are
closely related. Other nearby communities such as Silalahi and Tongging may
also be classified as speakers of Toba Batak.
The term "Toba Batak" is, itself, a derivation of
the Toba Batak language. As such, it is used both as a noun and an adjective;
both to describe a language, and also to describe the people who speak the
language.
D.1 Batak Toba Alphabet
The
Batak alphabet, or surat batak, is descended ultimately from the from Brahmi script of ancient India by way of
the Pallava and Old Kawi scripts. The Batak
languages of northern Sumatra - Karo
Batak, Toba Batak,
Dairi Batak, Simalungun/Timur, Angkola and Mandailing
Batak, and
occasionally Malay. In most Batak communities, only the datu (priests)
are able to read and write the Batak alphabet and they use it mainly for
calendars and magical texts.
System of writing in the tradition of Toba Batak language
though to have existed since the 13th century. With a script that may be derived
from ancient Javanese script, through ancient Sumatera script. This script is silabis , it means to describe a tribal
mark. Symbol number as many as 19 letters called parent letters and plus 7
types of children letters. Basically the letter /ka/ is never found in the
Batak Toba language. Batak Toba people in the first instance when mention of
coffee (kopi ) is hopi and hoda (not a
horse).
Toba Batak syllabic alphabet :
Dairi
Batak, which is also known as Batak Toba and Batta, is an Austronesian language
spoken by about 2 million people in the northern part of the Indonesian island
of Sumatra.
Vowel diacritics with ka
D.2 Batak Toba Verb
Sample Verbs :
to
bite
|
makkarat
|
to
blow
|
maŋullus
|
to
breathe
|
marhosa
|
to
burn
|
manutuŋ
|
to
buy
|
manuhor
|
to
chew
|
makkilhil
|
to
choose
|
mamillit
|
to
climb
|
nakkok
|
to
come
|
ro
|
to
cook
|
maŋaloppa
|
to
count
|
maŋetoŋ
|
to
cry
|
ilu,
taŋis, tumataŋis
|
to
cut, hack
|
mamotoŋ,
maŋgotap
|
to
die, be dead
|
mate
|
to
dig
|
makkuar
|
to
dream
|
marnipi
|
to
drink
|
minim
|
to
eat
|
maŋan
|
to
fall
|
madabu
|
to
fear
|
mabiar
|
to
flow
|
mardalan
|
to
fly
|
habaŋ
|
to
grow
|
tubu
|
to
hear
|
mabbege
|
to
hide
|
martabuni
|
to
hit
|
maŋgorpuŋ
|
to
hold
|
maniop
|
to
hunt
|
marburu
|
to
kill
|
mabbunu
|
to
know, be knowledgeable
|
boto
|
to
laugh
|
mekkel
|
to
lie down
|
gále-gále
|
to
live, be alive
|
maŋolu
|
to
open, uncover
|
mabbukka
|
to
plant
|
manuan
|
to
pound, beat
|
madduda
|
to
say
|
marhata
|
to
scratch
|
makkao
|
to
see
|
mamereŋ
|
to
sew
|
maŋjait
|
to
shoot
|
manembak
|
to
sit
|
huddul
|
to
sleep
|
modom
|
to
sniff, smell
|
maŋaŋgo
|
to
spit
|
marsitijur
|
to
split
|
mabbola
|
to
squeeze
|
mamoro
|
to
stab, pierce
|
maniham
|
to
stand
|
joŋjoŋ
|
to
steal
|
manakko
|
to
suck
|
maŋoncop
|
to
swell
|
marbokkak
|
to
swim
|
marlaŋe
|
to
think
|
marpikkir
|
to
throw
|
maddaŋgurhon
|
to
tie up, fasten
|
makkobet
|
to
turn
|
gelok
|
to
walk
|
mardalan
|
to
vomit
|
muta-uta
|
to
work
|
markarejo
|
to
yawn
|
hohoamon
|
E. Data
On
this paper, the writer used Batak Toba language as research material. There are
five hundred vocabulary used as research. As we know that, it’s not easy to researched,
but in the end the writer managed to finish it.
From
the research that has been conducted, the writer found quite a lot of consonant
symbols used in the material (Batak Toba language). The consonant most commonly
used, are ŋ, ʤ, j.
So, that’s the result of research
that can be expressed by the writer through the research was quite complicated
and took a lot of time.
CHAPTER
III
A. Conclusion
Batak ethnic is one of the old ethnics in Indonesia which
comes from North Sumatra. The people is called Bataknese. They are known as
‘nomads’. Batak ethnics consist of some sub-ethnics; they live in North
Sumatera regions. Most of them live in Tapanuli, Simalungun, Karo, Nias, and
Pakpak Dairi. Batak Toba
lives in Toba, Silindung, Samosir, and Humbang; Batak Angkola lives in South
Tapanuli, Sipirok and Angkola; Batak
Mandailing lives in Mandailing, Natal; Batak Simalungun lives around Simalungun regions; Batak Karo lives around Karo regions; Batak Pakpak Dairi lives around Pakpak
and Dairi regions. Based on the anthropology lesson, Nias, Alas, Gayo is
grouped in sub-batak ethnics.
Batak Toba /ˈtoʊbə ˈbætək/ is an Austronesian language spoken in North Sumatra province in Indonesia. It is part of a group of languages called "Batak".
There are approximately 2.000.000 Batak Toba speakers, living west and south of
Lake Toba. Historically it was written using Batak script, but the Latin script is now used for most writing.
The Batak alphabet, or surat batak, is descended
ultimately from the from Brahmi script of ancient India by way of
the Pallava and Old Kawi scripts. System of writing in the tradition of Toba
Batak language though to have existed since the 13th century. With a script
that may be derived from ancient Javanese script, through ancient Sumatera
script. This script is silabis , it
means to describe a tribal mark. Symbol number as many as 19 letters called
parent letters and plus 7 types of children letters
B. Contribution of Phonology
As
we know that, if we are talking about phonology it’s mean study of sound in
certain language. As the result of research, the writer found the contribution
of Batak Toba language for phonology, those are:
·
Add
knowledge about another language, especially traditional language
·
Make phonology as a science that covers
all aspects of language and variety of language
·
Make phonology more examine about the
sound system of any language, so do not be pegged only in one language, that is
English.
·
Phonology becomes easier to learn.
·
Phonology become more develop
C.
Suggestion
of learning phonology for future
In
my opinion, phonology is fascinating science, because phonology can examine
every aspect and content in a word of the language. It could be said that
phonology is very broad on the fact. So, my suggestion of learning phonology
for future is:
Ø Phonology
should be developed to more languages that exist in this world, especially the
traditional language
Ø As
we know that phonology is not familiar, and if phonology become developing, it
will make people interest to learning phonology.
Ø Hopefully
phonology could be known on the future, and make a lot of people in the world
interested to learn it.
Ø In
addition to covering about language, it might be worthwhile if the phonology
also encompass about the culture of language, and how they produce the sound of
their language.
Ø Hopefully
devoted language studied by phonology can have its own phonetic transcription
such as, vowels, diphthongs, and consonant. And consonant chart also.
D. Experience of Learning Phonology
According
to my opinion above, my experience of learning phonology is very amazing to me.
Because, this is my first time to study about phonology. However, phonology
isn’t an easy subject to learn, for me it’s difficult enough. But, because my
lecturer is so smart, she usually explain about parts of phonology clear to us,
and it made us become easy to catch it.
Although
when we studied phonology, we always got the assignment and test almost every
week, but I never feel bored with it all. More frequent we got a lot of
assignment, it actually add our knowledge of phonology itself.
By
studying phonology, I came to know what is it phoneme, phonetic, phonogram, and
allophone. And also I came to know what is meant place and manner of
articulation and what are the divisions. And now I know what is vowel,
diphthongs, and consonant and what the function of consonant chart.
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